{"id":26168,"date":"2020-09-21T08:08:54","date_gmt":"2020-09-21T13:08:54","guid":{"rendered":"http:\/\/kjagradio.com\/themic\/?p=26168"},"modified":"2020-09-21T08:08:54","modified_gmt":"2020-09-21T13:08:54","slug":"julian-shah-tayler","status":"publish","type":"post","link":"https:\/\/kjagradio.com\/themic\/julian-shah-tayler\/","title":{"rendered":"Julian Shah-Tayler"},"content":{"rendered":"<!-- VideographyWP Plugin Message: Automatic video embedding prevented by plugin options. -->\n\n<p><em>\u201cMassive&#8230; will make Julian a star\u201d<\/em>&nbsp;\u2013&nbsp;<strong>Alan McGee (Creation Records)<\/strong><\/p>\n\n\n\n<p><em>\u201cVery Impressed\u201d<\/em>&nbsp;\u2013&nbsp;<strong>David J (Bauhaus, Love and Rockets)<\/strong><\/p>\n\n\n\n<p><em>&#8220;Sonically you get the more pop and rocked out versions, both impeccably produced and with shimmery vocals from our protagonist Shah-Tayler. Bravo&#8221; \u2013&nbsp;<\/em><strong>The Spill Magazine<br><\/strong><br><em>&#8220;Perfect nostalgia-infused pop &#8211; right up there with the best of Erasure and Depeche Mode with the melodic perfection of China Crisis and Ultravox&#8221; \u2013&nbsp;<\/em><strong>The Big Takeover<\/strong><\/p>\n\n\n\n<p><em>\u201cArtistic perfection on his own terms\u201d&nbsp;<\/em>\u2013&nbsp;<strong>Obscure Sound<\/strong><\/p>\n\n\n\n<p><em>&#8220;Superb, danceable, invigorating, sexy. Welcome kickback to younger, more innocent, simpler days, when romance, movement &amp; atmosphere connected kinetically&#8221; \u2013&nbsp;<\/em><strong><em>The Record Stache<\/em><\/strong><\/p>\n\n\n\n<p><em>\u201cIntelligent, and skilled\u201d<\/em>&nbsp;\u2013&nbsp;<strong>The Deli<\/strong><\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.julianshahtayler.com\/\" rel=\"noreferrer noopener\" target=\"_blank\">Julian Shah-Tayler<\/a>&nbsp;<\/strong>a.k.a.&nbsp;<strong>&#8216;The Singularity&#8217;&nbsp;<\/strong>presents&nbsp;<a href=\"https:\/\/open.spotify.com\/album\/700ZgX3JmnLWEeYTMPBO20\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>&#8216;Devil Knows&#8217;<\/strong><\/a>, his new swagger-filled single with the A-single featuring the original version, the B-side involves three notable members of alternative rock royalty &#8211;&nbsp;<a href=\"http:\/\/davidjonline.com\/\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>David J,<\/strong><\/a><a href=\"http:\/\/markthwaite.com\/discography\/misc.html\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>MGT (Mark Gemini Thwaite)&nbsp;<\/strong><\/a>and drummer&nbsp;<strong>Marc Slutsky<\/strong>.<\/p>\n\n\n\n<p>Aptly named&nbsp;<a href=\"https:\/\/open.spotify.com\/album\/700ZgX3JmnLWEeYTMPBO20\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>&#8216;Devil Knows Ruby Rock Version&#8217;&nbsp;<\/strong><\/a>due to the fact that all three of these collaborators were involved in&nbsp;<strong>Peter Murphy<\/strong>&#8216;s extensive international&nbsp;<strong>Bauhaus<\/strong>&nbsp;Ruby celebration tour. Bassist<strong>&nbsp;David J<\/strong>&nbsp;needs no introduction, having founded&nbsp;<strong>Love and Rockets<\/strong>&nbsp;and&nbsp;<strong>Bauhaus<\/strong>.&nbsp;<strong>Mark Gemini Thwaite<\/strong>&nbsp;is best known for his prolific work and touring history with the likes of&nbsp;<strong>Tricky, The Mission UK, Peter Murphy, Ashton Nyte<\/strong>&nbsp;and&nbsp;<strong>The Wonder Stuff<\/strong>.<\/p>\n\n\n\n<p>This new track follows hot on the trail of his single&nbsp;<a href=\"https:\/\/youtu.be\/ZUb0OOO-74w\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>&#8216;Evolution&#8217;<\/strong><\/a>, which also involves contributions by&nbsp;<strong>MGT&nbsp;<\/strong>and&nbsp;<strong>Gene Micofsky<\/strong>&nbsp;(and the b-side remix by Mark Gemini Thwaite himself)<\/p>\n\n\n\n<p>&#8220;This song is about losing people. The devil is always present when we lose the connection with people. The death of Love, a break in the heart. Communication breakdown. But we try and try,&#8221; explains&nbsp;<strong>Julian Shah-Tayler<\/strong>.<\/p>\n\n\n\n<p>Hailing from Leeds, England and now LA-based, singer, writer and producer Julian Shah-Tayler makes electro rock new wave &#8216;intellipop&#8217; for the 30th century. He is currently working with the legendary&nbsp;<strong>Robert Margouleff (Stevie Wonder, Devo)&nbsp;<\/strong>on his next album, releasing a few tasters along the way.<\/p>\n\n\n\n<p>Having spent much time as a touring musician, Julian has experienced the pain of meeting and \u201cbreaking up with\u201d people every night.<\/p>\n\n\n\n<p>After completing his degree at York University, Julian moved to London as a singer-songwriter with classical training on piano and self taught on guitar. After several abortive record deals with music industry legend&nbsp;<strong>Alan McGee<\/strong>, he joined the hip electro clash outfit&nbsp;<strong>Whitey<\/strong>&nbsp;as co-writer\/ guitarist, recording many of those songs in his nascent home studio.<\/p>\n\n\n\n<p>After parting ways with his bandmates, Julian moved to L.A. to launch his own project&nbsp;<strong>The Singularity.<\/strong>&nbsp;There, he has had considerable success with TV and film licenses, known for his work on&nbsp;<strong>&#8216;Plush&#8217;, &#8216;Riot on Redchurch Street&#8217;<\/strong>&nbsp;and Disney&#8217;s&nbsp;<a href=\"https:\/\/youtu.be\/ihgvGPlSkXE\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>&#8216;Maleficent&#8217;<\/strong><\/a>. &nbsp;He won a&nbsp;<strong>Golden Trailer&nbsp;<\/strong>award, along with Daisy O&#8217;Dell, for&nbsp;<strong>his&nbsp;<\/strong><a href=\"https:\/\/youtu.be\/ihgvGPlSkXE\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>work with<\/strong><strong>&nbsp;Lana Del Ray<\/strong><\/a>on the trailer for the latter film.<\/p>\n\n\n\n<p>In addition to scoring music with O&#8217;Dell for the two-time Emmy winning&nbsp;<strong>&#8216;Actors on Actors&#8217;&nbsp;<\/strong>TV show, his music has been performed for Robert De Niro, Bill Clinton and Martin Scorsese via the Unite for Humanity charity at the Oscars.<\/p>\n\n\n\n<p>Julian also recorded a unreleased album with&nbsp;<strong>Joaquin Phoenix&nbsp;<\/strong>and&nbsp;<strong>Antony Langdon (Spacehog)<\/strong>, as well as directing Island Def Jam artist Kerli 4 for songs he co-wrote with Siobhan Fahey (Bananarama, Shakespear&#8217;s Sister). His remix of Nico&#8217;s &#8216;These Days&#8217; with Daisy O&#8217;Dell was featured as KCRW\u2019s \u201cone to watch\u201d. He also cofounded the &#8216;Art Angeles&#8217; charity, teaching underprivileged kids music in Watts.<\/p>\n\n\n\n<p>When he is not writing and recording original material or producing other arists, Julian Shah-Tayler is selling out venues with his&nbsp;<strong>David Bowie<\/strong>&nbsp;tribute band &#8216;The Band That Fell To Earth&#8217;, his&nbsp;<strong>Depeche Mode<\/strong>&nbsp;tribute band &#8216;Strangelove&#8217; and moonlighting as singer-keyboardist in&nbsp;<strong>The Cure&nbsp;<\/strong>tribute band &#8216;The Cured&#8217;<\/p>\n\n\n\n<p>&#8216;Devil Knows&#8217; is now available across digital outlets such as&nbsp;<a href=\"https:\/\/music.apple.com\/us\/artist\/julian-shah-tayler\/322044829\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>Apple Music<\/strong><\/a>&nbsp;and streaming platforms like&nbsp;<a href=\"https:\/\/open.spotify.com\/artist\/1vhNv7y2kxwcjbIf2f4CXX\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>Spotify<\/strong><\/a>, as well as directly from the artist via&nbsp;<a href=\"https:\/\/thesingularitymusic.bandcamp.com\/album\/evolution\" rel=\"noreferrer noopener\" target=\"_blank\"><strong>Bandcamp<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cMassive&#8230; will make Julian a star\u201d&nbsp;\u2013&nbsp;Alan McGee (Creation Records) \u201cVery Impressed\u201d&nbsp;\u2013&nbsp;David J (Bauhaus, Love and Rockets) &#8220;Sonically you get the more pop and rocked out versions, both impeccably produced and with shimmery vocals from our protagonist Shah-Tayler. Bravo&#8221; \u2013&nbsp;The Spill Magazine&#8220;Perfect nostalgia-infused pop &#8211; right up there with the best of Erasure and Depeche Mode [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":25760,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"footnotes":""},"categories":[10],"tags":[],"class_list":{"0":"post-26168","1":"post","2":"type-post","3":"status-publish","4":"format-video","5":"has-post-thumbnail","7":"category-nws","8":"post_format-post-format-video"},"acf":[],"_links":{"self":[{"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/posts\/26168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/comments?post=26168"}],"version-history":[{"count":1,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/posts\/26168\/revisions"}],"predecessor-version":[{"id":26185,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/posts\/26168\/revisions\/26185"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/media\/25760"}],"wp:attachment":[{"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/media?parent=26168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/categories?post=26168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/tags?post=26168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}