{"id":40237,"date":"2026-05-13T10:39:24","date_gmt":"2026-05-13T15:39:24","guid":{"rendered":"https:\/\/kjagradio.com\/themic\/?p=40237"},"modified":"2026-05-13T10:39:24","modified_gmt":"2026-05-13T15:39:24","slug":"chronepsis-unleashes-debut-ep-weight-of-eternity-out-now","status":"publish","type":"post","link":"https:\/\/kjagradio.com\/themic\/chronepsis-unleashes-debut-ep-weight-of-eternity-out-now\/","title":{"rendered":"CHRONEPSIS UNLEASHES DEBUT EP WEIGHT OF ETERNITY \u2014 OUT NOW!"},"content":{"rendered":"<p><!-- VideographyWP Plugin Message: Automatic video embedding prevented by plugin options. --><br \/>\nSouth Jersey\u2019s underground metal scene continues to produce bands willing to push sonic boundaries, and Chronepsis is quickly becoming one of the most talked-about names emerging from that movement. Blending technical precision, crushing brutality, and an atmosphere rooted in psychological darkness, the band\u2019s debut EP Weight of Eternity delivers organized chaos in its purest form.<\/p>\n<p>Drawing influence from heavyweights like Arsis, The Black Dahlia Murder, and Revocation, Chronepsis has carved out a sound that feels both punishing and deeply calculated. Built through a fully independent DIY process, the band wrote, recorded, and produced the project themselves while refining a live performance designed to hit just as hard onstage as it does through the speakers.<\/p>\n<p>In this exclusive interview with KJAGRadio.com\/TheMic, drummer Eric opens up about the origins of the band, the chemistry that shaped their sound, the deeper meaning behind Weight of Eternity, and the grind of building a modern metal band from the ground up.<br \/>\nChronepsis came together in 2023\u2014how did this band first take shape in South Jersey?<br \/>\nEric- so chris was tattooing me, and he was telling me about a friend of his who they were file sharing material back and forth that they were jamming on. this friend was Torr. after a little we got together andd things moved. we grabbed mike esrly on, and after afew fsiled attempts with bass players, we found Vin<br \/>\nWas there a moment early on where you knew this project had something different compared to other bands you\u2019ve been in?<br \/>\nEric- yeah&#8230; i realized pretty early there was chemistry. i was playing in two bands and knew i couldnt keep doing two because of other commitments, so i knew in my gut Chronepsis was the right hoice<br \/>\nTHE SOUND \/ IDENTITY<\/p>\n<p>3. Your sound blends technical precision with straight-up brutality\u2014how do you balance those two worlds without losing either?<\/p>\n<p>Eric- so our sounds is just an amalgamation of everyones influeences&#8230; the sound itself comes pretty natursl.. at least from my perspective<\/p>\n<p>4. When you describe your music as \u201corganized chaos,\u201d what does that mean to you in practice?<\/p>\n<p>Eric- it becomes a lot of memorizzing nd counting. we&#8217;ve listened to, and playued these songs so much, they are emmbedded in my skull. case in point- between weight of eternity, and just about finishing recording our first full lenght, i worked on some new techniques for feet and hand control and speed on the drums&#8230; i used it pretty flawlessly on the new material, but i struggle with it on the old stuff. i practiced it the old way so much, i cant undo it lol<\/p>\n<p>5. For someone hearing Chronepsis for the first time, what should they be listening for in your sound?<\/p>\n<p>Eric- whatever catches your ear.. i know what catches my ear when i listen to music&#8230; i would expect others to take the approach that woeks works for them when they listen to us<br \/>\nINFLUENCES<\/p>\n<p>6. Fans of Arsis, The Black Dahlia Murder, and Revocationare going to connect with this\u2014what elements from those bands influenced you the most?<\/p>\n<p>Eric- i mean those three bands are some of my favorites. arsis&#8217; we are the nightmare is a massive influence on my playing.. same with nocturnal from TBDM<\/p>\n<p>7. Do you consciously pull from those influences when writing, or does it just come out naturally?<\/p>\n<p>Eric- all our writting is natural. nothing is forced. we have walked away completely from songs that were giving us problems writing&#8230; its not worth it. overthinking and writting is a bad combo<br \/>\nTHE EP \u2013 \u201cWEIGHT OF ETERNITY\u201d<\/p>\n<p>8. Let\u2019s talk about the debut EP\u2014why \u201cWeight of Eternity\u201d as the title?<\/p>\n<p>Eric- so the name chronepsis comes from dungeons and dragons lore&#8230; the dragon chronepsis being the all seeing watcher. in stories it was alluded to that chronepsis carried the weight of the world, and part of his lore was endless time watching in neutral, so it just kind of flowed together<\/p>\n<p>9. Is there an overarching theme across the record, or does each track stand on its own?<\/p>\n<p>Eric- so there is a broad theme, but every track can stand on it own&#8230;<\/p>\n<p>10. The music hits hard emotionally as well as sonically\u2014where does that darker, more psychological edge come from?<\/p>\n<p>Eric- so this question is better suited for chris, who unfortunately couldnt join. he comes up with everything- the art, the themes, the atmosphere&#8230; ive been wanting to get in that dudes head for 30 years, but ast the same time, i would probably be scared to death lol<\/p>\n<p>11. Was there one track on the EP that really defined the direction of the band?<\/p>\n<p>Eric- honestly, i thing well fed hexahedron&#8230; when we wrote that early on after we got together it set the bar for what we wanted to do<br \/>\nDIY PROCESS<\/p>\n<p>12. You wrote, recorded, and produced this entirely yourselves\u2014what drove that decision?<\/p>\n<p>Eric- so way way back, we recorded a version of well fed hexahedron with a &#8220;producer&#8221;and we were all very unhappy with what we got. everything from the time frame, to the communication, to the sound, and even the cost. it was a horrible experience, but looking back it was ablessing in disguise, because after that, we all pooled our money, bought an insane amount of equiptment, and crash coursed in learning how to use it. <\/p>\n<p>we recorded and produced the whole EP with it, and we are just about to wrap up recording our first full length on it.. <\/p>\n<p>13. What were the biggest challenges of handling everything in-house?<\/p>\n<p>Eric- for me it was learning how to use the equiptment. its been so much fun learmning though, something bi never thought i would likedoing<\/p>\n<p>14. Do you feel like that DIY approach gave the record a more honest or raw edge?<\/p>\n<p>Eric- i do. but i also think it gives the sense of alot of learning and refinement coming ahead, which i have watched come to life these recording sessions<br \/>\nPRODUCTION \/ SOUND DESIGN<\/p>\n<p>15. You worked with Erik Johnson on mixing and mastering\u2014what did he bring to the final sound?<\/p>\n<p>Eric- Erik was put in a tough spot and responded incredibly. we had a tight timed frame, and he had noidea what we were going for, because quite frankly neither did we at that time.. but he did a great job and hes slotted to mix and master and co-produce this upcoming full length<\/p>\n<p>16. How important was it for you to keep clarity in such a dense, technical style of music?<\/p>\n<p>Eric- its key&#8230; you gotta stayed focused and in the moment.. practice, practice, practice<br \/>\nBAND DYNAMICS<\/p>\n<p>17. Walk me through how a typical song comes together for you guys\u2014who brings what to the table?<\/p>\n<p>Eric- so Mike and Torr, will bring us songs&#8230; each has a very different approach in writing.. i like to call Torr the riff master, because he will have all these insane riff that we will put together like a jigsaw puzzle&#8230; mike comes with a very well thought out, and calmer approach&#8230; but once Vin, Chris, and myself get our spin on these songs they all end up fitting into same place<\/p>\n<p>18. With so much technicality involved, how do you lock everything in as tightly as you do?<\/p>\n<p>Eric- after the ep was tracked, and we had ashit ton of gigs on the books, we just practiced so much it stuck&#8230; it doesnt come that easy riight away, it takes repititiion<br \/>\nLYRICS \/ THEMES<\/p>\n<p>19. The EP dives into \u201cthe darkest corners of the human mind\u201d\u2014what kind of themes are you exploring lyrically?<\/p>\n<p>Eric- Chris is the mastermind behind the lyrics, so i dont want to speak for him, but my interpretation is dark, sad endings, loss in battle, nighmarish existensis, pain, hurt and loss&#8230; so on&#8230; but all written from the perspective of the all seeing watcher, or someone the watcher is watching<\/p>\n<p>20. Do the lyrics come from personal experiences, storytelling, or more conceptual ideas?<\/p>\n<p>Eric- again- chris question, but my interpretation is they are a mixture of both&#8230; the stories bleed into each other. both fiction, and non<br \/>\nLIVE ENERGY \/ FUTURE<\/p>\n<p>21. How does this material translate to a live setting\u2014are fans going to get the same intensity or even more?<\/p>\n<p>Eric- we worked hard to put on a good live show, and we are going to keep doing that, and we are learning new ways to make it even better&#8230; technology is our friend lol<\/p>\n<p>22. What\u2019s the goal for the band over the next year\u2014touring, more releases, or both?<\/p>\n<p>Eric- we are just about finished tracking our first full length.. then months of post production, press, promotion, learning and practicing&#8230;. then shopping to labels, seeing if we get any bites&#8230; then release and tour.. its a cycle lol<br \/>\nINDUSTRY \/ INDEPENDENT GRIND<\/p>\n<p>23. Coming up as a newer band, what\u2019s been the biggest challenge breaking through in the metal scene?<\/p>\n<p>Eric- getting out there and staying relevant. its constant work<\/p>\n<p>24. What advice would you give to other heavy bands trying to build something from the ground up right now?<\/p>\n<p>Eric- do it for the love of the genre and playing&#8230; otherwise you&#8217;re gonna be miserable<br \/>\nCLOSING<\/p>\n<p>25. If someone\u2019s just discovering Chronepsis today, what track from Weight of Eternity do you tell them to start with\u2014and why?<\/p>\n<p>Eric- Lacerating The Vultures Tongue is my personal favorite. To me it embodies a little bit of everything i think makes us Chronepsis&#8230; heavy riffs, speed, insane guitar leads&#8230; i fucking love that song lol<br \/>\nWith their debut EP Weight of Eternity already making noise in the underground metal world and a full-length album currently nearing completion, Chronepsis appears poised for a major next step. Their commitment to technical musicianship, raw honesty, and relentless DIY dedication shows a band determined to evolve without losing the intensity that defines them.<\/p>\n<p>Whether it\u2019s the crushing riffs of \u201cLacerating The Vultures Tongue,\u201d the dark conceptual themes woven throughout the record, or the precision behind their live performances, Chronepsis is proving they\u2019re more than just another extreme metal act\u2014they\u2019re building something designed to last.<\/p>\n<p>Stay locked in to KJAGRadio.com\/TheMic for more exclusive artist interviews, underground music coverage, and the latest from the world of heavy music<\/p>\n","protected":false},"excerpt":{"rendered":"<p>South Jersey\u2019s underground metal scene continues to produce bands willing to push sonic boundaries, and Chronepsis is quickly becoming one of the most talked-about names emerging from that movement. Blending technical precision, crushing brutality, and an atmosphere rooted in psychological darkness, the band\u2019s debut EP Weight of Eternity delivers organized chaos in its purest form. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":40245,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"video","meta":{"_acf_changed":false,"footnotes":""},"categories":[482],"tags":[],"class_list":{"0":"post-40237","1":"post","2":"type-post","3":"status-publish","4":"format-video","5":"has-post-thumbnail","7":"category-written","8":"post_format-post-format-video"},"acf":[],"_links":{"self":[{"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/posts\/40237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/comments?post=40237"}],"version-history":[{"count":1,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/posts\/40237\/revisions"}],"predecessor-version":[{"id":40246,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/posts\/40237\/revisions\/40246"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/media\/40245"}],"wp:attachment":[{"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/media?parent=40237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/categories?post=40237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kjagradio.com\/themic\/wp-json\/wp\/v2\/tags?post=40237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}