Suicide, Italian Style by THE ANDRETTI is epic. It is sonically epic, taking the sweeping drama of Ennio Morricone and the melodrama of Scott Walker’s first solo album and infusing ’90s noise rock rawness and a kaleidoscope of textural details. It is musically epic in its ambition. Every track twists and turns through a labyrinth of shifting genres and time signatures. It is stylistically epic in its breadth. Spaghetti western and crime drama soundtracks, vintage Italian pop, “math” rock, surf rock, exotica, and doo wop are skillfully woven together into a unified whole. There are no nonsequitors, only interesting surprises. It all makes sense because all the details are perfect. If the atmosphere of a palm-muted baritone guitar dripping with spring reverb piques your interest as much as throat-shredding, amp-melting intensity then you will enjoy all the journeys contained within Suicide, Italian Style.
Emerging from the shadowy intersections of post-punk, industrial experimentation, and avant-garde electronics, Scissorgun continue to…
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