# KÜNTSQUÄD Unleash Banned and Uncensored “Piss N Purge” Video: Extreme Metal’s Latest Shot Across the Bow
**By The Mic – KJAGRadio.com**
If you’re looking for subtlety, Melbourne, Australia extreme metal outfit KÜNTSQUÄD have absolutely none to offer—and that’s exactly the point.
The underground provocateurs have unleashed the banned and uncensored music video for **”Piss N Purge,”** the latest visual assault from their controversial album *Satan’s Cock*. The clip serves as the second installment in a planned five-video series, with several already deemed too extreme for mainstream streaming platforms.
Rather than backing down from controversy, KÜNTSQUÄD have doubled down.
The band’s latest release combines blistering musical aggression with a satirical critique of modern excess, consumerism, and what they see as society’s growing acceptance of greed, exploitation, and disposable living. While the band’s over-the-top imagery and confrontational style may initially shock viewers, members insist there is a deeper message beneath the chaos.
According to vocalist and guitarist Paula VC Damnzal, the song began as a commentary on binge culture and self-destructive behavior before expanding into broader themes involving class inequality, consumer obsession, and the devaluation of human life.
“We make a point of delivering the questions to explore and not the answers to regurgitate,” the band explains. “Authentic voices and opinions that challenge the status quo are something we applaud.”
The uncensored video has already generated controversy online, something KÜNTSQUÄD say they have become accustomed to after previous releases also faced restrictions and censorship. Rather than viewing platform bans as a setback, the band sees them as proof that their work is provoking discussion.
“Censorship is the proverbial gag on artists’ voices,” says Damnzal. “But there’s always a way to bypass the machine.”
Musically, “Piss N Purge” delivers exactly what fans of extreme underground metal have come to expect. Down-tuned riffs, relentless D-beat aggression, blackened crust-punk energy, and ferocious vocals collide to create a soundtrack as abrasive as its subject matter.
The video itself utilizes a combination of live performance footage, grotesque satire, and unfiltered imagery to hammer home its themes. Some viewers may laugh, others may recoil, and some may immediately click away—but KÜNTSQUÄD appear perfectly comfortable with all three reactions.
The release continues the momentum of *Satan’s Cock*, which has become one of the most talked-about underground extreme metal albums of the year. Despite polarizing reviews and controversial subject matter, the record recently climbed to the No. 1 position on Sentinel Daily’s Top 30 Chart, demonstrating that controversy and popularity aren’t always mutually exclusive.
Hailing from Melbourne’s thriving underground scene, KÜNTSQUÄD blend elements of crust punk, death metal, black metal, and satirical social commentary into what they proudly describe as “bad taste meets brutal honesty.”
The current lineup features:
• Paula VC Damnzal – Guitar, Vocals
• NikronomiconSatanik – Lead Guitar
• Brett Eldridge – Bass
• Adam Holmes – Drums
Recorded and mastered at Goatsound Studios by Jason Fuller and Jamie Collic, *Satan’s Cock* was released through Wormholedeath Records and continues to push boundaries both musically and visually.
Love them or hate them, KÜNTSQUÄD aren’t interested in playing it safe. Their mission remains the same: challenge, provoke, disturb, and make listeners think.
As the band puts it, KÜNTSQUÄD in 2026 is simply:
“On a quest, manifesting the spawn of Satan’s Cock Part 2.”
**Watch the uncensored “Piss N Purge” video:** https://youtu.be/TJAOaKxQTZY
For fans of Autopsy, Discharge, Nunslaughter, Behemoth, Belphegor, and Sadistik Exekution, KÜNTSQUÄD continue proving that extreme music still has the power to shock, offend, and spark conversation.
KÜNTSQUÄD
🔥 THE VIDEO & CONTROVERSY
1. “Piss N Purge” has already been banned and censored in some spaces—what was your reaction when that started happening?
Disappointed once again, but It was nothing new to be honest, we also had issues with another video “Your mum Sucks Crack in Hell” and the press attached to the new album has majorly added to the controversy we seems to attract, not because of the shitlording we do, but also because the satire lends itself to the purpose of highlighting what a superficial and hypocritical world we live in. The gasps from all corners of the world is often amplified by the censorship and on the current album, it has reached a new height because it’s getting quite ridiculous in what we consider defines a democracy , but it’s being done so surreptitiously whilst we are all distracted by the current events happening across the other side of the globe . Censorship is the proverbial gag on artists voices, particularly in that space where few dare to venture, and often a reflection of a more conservative agenda which presumes that adults cannot be trusted or able to decide for themselves. Censorship disallows discussion of alternate viewpoints or dissenting opinions from the conservative overlords who make it so that only the appropriate discourse allows to exist… we know this doesn’t work in the long run because there’s always a way to bypass the machine.
2 Do you see censorship as a setback, or does it actually amplify what you’re trying to do?
Not a set back for us, because we don’t care enough about these corporate platforms. We give them what they want in edited versions, and that’s their loss, because the real deal can always be found irrespective, and that rabbit hole if one chooses to go down it, is way more fun to explore because of the other content one might stumble across.
In some ways of course, it does also amplify what we do and what we’re about. Curiosity is a good thing and a necessity in the process of evolution.. a road to discovering new information, or acquiring truth or knowledge in many mediums including music, art, literature or otherwise. We make a point of delivering the ‘questions’ to explore and not the ‘answers’ to regurgitate. Authentic voice and opinions that may question the status quo is something we applaud and would like to see more of… because the alternate is stifling and regressive.
3 Was there a specific moment in the video where you knew, “Yeah… this is going to get flagged”?
Um yes and no. I have to laugh because as I was editing the thing, Nik leaned over and said something like .. “ I think you’re on the path to getting us banned again”.. but i persevered anyway at that point . So yeah, we thought it might, only because the themes presented in Piss n Purge around consumerism also alludes to things like genocide amongst a few visuals that might be disturbing to some.., Nevertheless, I didn’t think the images were particularly graphic or led one to misconstrue the information, so that part of it I’m at a loss about . It’s history of humanity’s greed and excess driven by the usual obsessions for power, dominance and wealth. But we don’t need to know that right?
💣 MESSAGE & THEMES
4. Beneath the chaos, there’s a clear critique of excess and consumption—what sparked the idea behind “Piss N Purge”?
For the best part, the idea for this initially stemmed from the stereotypical scenario of going out on the weekends with the sole purpose of getting absolutely hammered and Bingeing out on anything and everything, knowing full well there’s a price to pay when you’re next conscious. From this the idea, particularly in the visuals, the idea was to incorporate other broader scenarios of excess consumption and its aftermath, “Purging” is symbolic of certain practices and events we have all been a witness to, such as , the disposability of life, ethnic cleansing, depopulation agendas etc… whilst the “Piss” centred more around the trivializing, desensitization and political justification of these things.
5 You connect personal self-destruction to larger systems like greed and class warfare—how intentional was that broader message?
Quite intentional, as I believe that the indoctrination begins from the time we are born and only consciously become aware if its impacts as one experiences the torment of life within the bowels of the systems we eventually become slaves to.. the greed is perpetuated by the environment of the ‘current currency’ that ensures you are left wanting of everything and anything , sold to us as desirable and necessary. This is only as useful as the resources one is able to access to achieve the illusion that is ‘success and wealth’ but the reality is that despite your class and/ or net worth, it is never enough or good enough to really feel a sense of ‘satisfaction’ or ‘achievement’ because it’s a never ending perpetual cycle of consume and purge. It’s the foundations upon which our global network of capitalism functions as a machine… we are all part of the cogs ensuring it is kept well lubricated. The self destruction manifests in many ways and likely to leave us physically and mentally exhausted in its very pursuit. The authenticity of self and purpose becomes lost amongst the rituals of the mundane daily machinations that are necessary for our mere existence and yet the illusion of prosperity which is encouraged, measured by the status or influence within your own circle, only serves to propagate the futility of this servitude. The self destruction is insidious and only realized when, despite the work ethic around gainful activities undertaken for the betterment of oneself,, it somehow still remains elusive to the majority.
6 Do you think audiences sometimes miss the satire because of the shock factor?
Yes and yes to this. We’re quite aware of the polarizing effect of the combination, but to be fair it’s only a means to an end and either way it’s not meant to be pretty.
🎭 SATIRE VS SHOCK
7 Your work walks a line between grotesque humor and serious commentary—how do you balance those elements?
I’m not entirely sure we balance the elements. Ideologically there’s an attempt to provide a bit of ‘comic relief’ to lessen the sting of the seriousness of the stuff lingering elusively beneath the surface, because the questions asked, should be provocation enough to lend an opinion to the state of affairs presented… hopefully lead to a grander realization of truths or one’s own interpretation of the topics of discussion. The line differentiating the grotesque humour and the cryptic seriousness of the topics are deliberately blurred because it’s reflective of the grotesquely skewed world we live in. The humor is one aligned to nervousness not mirth.
8 Is making people uncomfortable part of the goal, or just a byproduct of being honest?
I think it might be a byproduct, but either way, that uncomfortable reaction… or any reaction for that matter, is more desirable as opposed to none at all. I’d like to think we all still have a semblance of empathy and humanity inside our dark souls or hearts, but we can never be sure how far gone humanity as a collective, has disintegrated or conversely, been enlightened.
9. Where do you draw the line between satire and pure provocation—or do you draw one at all?
We don’t draw lines because that would be illogical particularly given we are aiming to provoke a response, whether that is a thought derived through satire or provocation, the end result is to attempt to evoke an emotive reaction or connection to the content matter through an auditory journey of sorts. So the vehicle for its delivery is irrelevant because how anything resonates with an individual is mostly subjective. It could be as diverse in how it appeals or repulses, as it is provocative.
🎶 SOUND & MUSICAL APPROACH
10. The track hits with that raw D-beat aggression—what influences shaped the sound of this record?
There’s a diversity in all our tastes musically, which is probably reflective in the construct of the track. There’s an old school kind of aggression and rawness that exposes our vulnerabilities as musicians , it’s meant to be abrasive because it reflects the environment we come from and the philosophy of our consciousness as entertainers and musicians in a saturated world of palatable auditory consumption. In the content and construct of the track, there’s the element of chaos reflecting our self deprecation and our view of the world, then there’s the contrasting breakdown which offers some relief in rhythmic composure … but only as a buffer to the next assault. The influences come from a rejection of the ‘vanillarized’ music industry as a whole, where the outcasts are profiled as sitting somewhere between extreme death, black or combos of everything more challenging.
11 How do you keep the music feeling chaotic but still controlled and intentional?
As explained above, the chaos is unfiltered but measured because there needs to be a connecting hook in there somewhere… self indulgence would be easy, but to be fair, that said we are old school in our approach to some elements of our music, so by its very nature, the over riding riffage is a deliberate attempt to connect on a more primal level with the listener.
12 What was the mindset going into recording Satan’s Cock—was it about capturing energy over perfection?
We try our best for perfection within our means… in the sense that the constraints are often to do with time and funds. We try and produce albums that are sonically balanced but also authentic to ourselves as musicians. The energy, chaos and rawness is appreciated and definitely something we try to capture but the production is also important. The tech available these days is pretty mind blowing , however it can be fought with an element of complacency which could potentially negate the authenticity of your overall sound… that’s ok if that’s what’s intended, but I am of the belief that some elements of the tech used could potentially lead to a form of sterility or soullessness within your music, void of nuance or originality… the question this poses is the future of musicianship .. a scenario being realized as we speak where record companies are doing deals with AI tech companies , not musicians, where entire catalogues of artificially generated music is produced and performed at a fraction of the cost, as opposed to entertaining real musicians… that’s capitalist mindset right there.. and why Satans Cock exists.
🎤 VOCALS & PERFORMANCE
13. Paula’s vocals feel like a full-on exorcism—how do you channel that intensity in the studio and live?
There’s a demon that lives inside my head. It speaks volumes and sometimes manifests as a woman… either way it’s a mystery as to why and wherefore, but the beast, it lives , and no glasses are needed to observe its monstrous grotesqueness sabotage the action on call.
14 Do you approach vocals as storytelling, confrontation, or something else entirely?
The lyrics are chants, akin to spells when spoken, in all its simplicity and minimalism. Because of this the delivery needs to be as monstrous as the intent. It would be farcical to pretend it is something it is not, so it’s deliberate and lyrically obtrude.., the confrontation may be a word to describe how it is received as opposed to its intention. There’s no storytelling or lengthy descriptive narrative offering answers to the subject of contention, only questions of validity, awareness, self discovery and pure observance of the state of affairs. The vocals storytelling is reserved for the Listener to interpret if they choose to go down that rabbit hole of complex dichotomy of their own consciousness.
🎥 VISUAL STYLE & IDENTITY
15. The video leans heavily into raw, unfiltered imagery—what was the creative vision going in?
Exactly that. The band footage is real excerpts taken from fans and photographers at various live performances, and the other visuals provide the cement in which the conversation and topics of contention are realised and made more obvious. The visuals are an integral part of what we are communicating… without them, or interviews such as this, I think many would be confused as to the intent.
16 How important is the visual side of KÜNTSQUÄD compared to the music itself?
The visuals within the context of the clips produced , are important as explained above, but the music always takes precedence , it needs to be disturbing in its intention and more so, reflective of who we are as musicians, where we are at in terms of progression and how we want to be perceived amongst it all.
17 Do you see your videos as extensions of the songs, or as their own standalone statements?
Think I’ve mentioned that already, but yes they are extensions, and a means to an end to be fair.
⚡ THE ALBUM: SATAN’S COCK
18. The album has already stirred major reactions in the underground—did you expect this level of response?
Not really expecting anything to be honest. It’s not something that is easily predicted because by its very nature, music appreciation and its content is subjective, and subjected to the scrutiny of some who we like to call gatekeepers of the metal faith. The fact is, there’s so many genres within the genre these days that it’s not feasible or desirable in my opinion , to try and please everyone, and perhaps not everyone gets the satire, but I think the majority understand the brutality of the grotesque. We thought that part might appeal somewhat to the average metalhead who by and large understands what heavy is…
19 Landing high on charts like Sentinel Daily’s Top 30—does recognition matter, or is disruption the real goal?
That was wholey unexpected, because one of their reviewers early on, didn’t really give it the warmest reception… so we were very surprised when their charts had us at first position for 2 weeks in a row.. it’s confusing for us, but totally appreciative of the support it displays. Is it disruption… sure , it’s disruption based on the fact that it wasn’t ever meant to be a pretty album, nor did we feel many would get past the title itself let alone understand it, mainly because of its cryptic nature and grossly exaggerated play on words that might offend or annoy.. but it’s cool to know that its intent to evoke reaction to the content, hit home ar some basic level.
20 How does Satan’s Cock represent where the band is right now creatively?
It’s always an evolutionary process. The aim is to continue to explore those uncomfortable areas of discourse and sonic brutality., with renewed vigor in expanding the foray into more extreme elements without compromising ourselves. It’s a fine balance and the challenge rests with the band members individually and what they are prepared to bring in terms of their own challenges as musicians.
🏴☠️ UNDERGROUND SCENE & IDENTITY
21. You’re rooted in Melbourne’s underground—how has that scene shaped your sound and attitude?
Melbourne has a rich culture of pub going punters, who have historically been very supportive of the live music scene. There’s a band on every night at some venue at any given night in this city. There’s also a plethora of great bands and that makes scoring a gig a hard task at times…. So the competition is stiff, and that by default makes you want to rise to the challenge as inspiration is not hard to find when there’s an abundance of quality musicianship and performance art.
22 Do you feel like you’re part of a tradition of extreme bands, or actively trying to break away from it?
We like to hope to be part of the creatives in this country. The tradition of extreme bands is the ultimate accolade because in many ways , there have been bands of such historical importance to the identity of the metal scene here, but have remained relatively unknown despite them being so far ahead of their time that they are still relevant and as extreme to this day. One such example is Dark Lord.. there have been many so , whilst we like to consider ourselves extreme in a sense, it would be inaccurate to say it defines us… it isn’t a case of breaking away from that tag or not, it is a matter of opinion and for us progression into other altered states of ‘extreme’ and what that may mean going forwards for both us and other aficionados.
23 What does “bad taste meets brutal honesty” mean to you as artists?
Küntsquäd haha… we are the bad taste left once finished sucking Satans Cock… sad part is, everyone sucks it willingly or unwillingly and that makes us all distasteful. Welcome to our world kunts
🎸 COLLABORATION & PRODUCTION
24. Working with Goatsound Studios, what did that environment bring out in your sound?
There was comfort in the fact that Jason was familiar with us and what we wanted, through the first recording we did with him and this was a precursor to feeling confident that he would be able to get the soundscape we wanted. There’s no right or wrong environment only anticipation and excitement at seeing your ideas come to fruition and creating that soundscape that is intended. He is very relaxed in his approach and not someone who is intimidating or overly controlling of how things should or shouldn’t be done. So this in itself created an environment that was conducive to collaboration and discussion about what may or may not work… nothing is out of the question and therefore the prospect of experimentation , if needed, would not be met with attitude or disdain… Jamie was bought in to offer another pair of ears to the project, particularly when Jason had his own personal crises to deal with, and us being so adamant and non compromising with respect to some of the sounds we were chasing. It all ended up surprisingly pleasing for us , despite the unintended road blocks along the way.
25 How did the production team help capture that raw, live intensity?
As above… bit I’ll add that they were both active listeners to an opinion and experimented somewhat with the available tech to achieve what we were after .
26 What was the most chaotic or memorable moment during recording?
There were many memorably frustrating moments during the process of recording, primarily the stop start scenario that manifested as we struggled with our own internal issues and ultimately the parting of ways with our previous guitarist Steve, who was unwell and has since unfortunately passed. There were also other issues presenting within the personal life of our engineer throughout the project which contributed to the discontinuity during the recording process itself. We started, as mentioned, then scraped it all and began again after some internal introspection and reflection of direction and clarity /unity. It took almost 2 years to complete from conception to birth, but it was important for us to refine elements we felt were missing or less obvious in our debut release. There were times where whole sections of the recorded raw sounds were removed and reworked during the mix down stage, which is not where you want to be doing that kind of stuff…. Frustrating because this time around, I did not want to compromise on elements of the extreme to highlight… more importantly, show progression and cohesion overall.
🚀 FINAL THOUGHTS
27. What do you want people to feel after watching “Piss N Purge”—shock, anger, reflection… or all of it?
All would be ideal, but realistically if it’s only one thing then that’s a win. It’s gruesome, chaotic and as such the reality we like to homogenize because it hurts less. How it’s received might be reflection of personal contribution, or ignorance, or plain disgust… what’s the question posed? Understanding this is king.
28 Do you think art should challenge people, or is that just your lane?
Art historically has been an effective barometer of sorts in reflecting the undertones of the poignant and/ or controversial culturally significant issues of the time… it needs to be unfiltered, challenging and truthful. Censorship, rewriting of historically challenging or unsavory happenings is a modern thing and an abomination that only serves to distort the truth for the gains of a few. If art is not challenging our perspectives or moving us to challenge our closed mindsets, then the deduction is that we remain vulnerable to the pap of propaganda that surrounds us and placates the need to unchain ourselves from the matrix of control, whatever that may be for you. To be indifferent , placid , accepting and uninformed is just convenient and renders us gullible to the workings and imaginations of the ruling few. We approach our music the same way.. No censorship, even though a couple of our clips have been censored by various platforms, it’s not hard to get around this with perseverance.
29 What’s more important to KÜNTSQUÄD: being understood, or being felt?
Hard one to answer because it’s synergistic. I’m not sure it’s possible to have an appreciation for the satire if it’s being misunderstood so the narrative in this album is of significant importance. Equally the real work is in the transformative elements music provides so the feels are just as valid and Important in the ultimate engagement of the individual to what is the aural soundscape. We are producing music after all so to not be felt is to assume the attempted connection is flawed .
30 Finish this sentence: “KÜNTSQUÄD in 2026 is…”
On a quest, Manifesting the spawn of Satans Cock part 2 .